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The
Role of the Critic:
Radiohead's Kid A & The Next Great Rock 'N Roll Swindle Page
2
Setting
the Stage
By
late September of 2000, the proverbial pins were setup for Kid
A to knock down. Critics were drooling at just the thought of
it, a new Radiohead album. OK Computer, Radiohead's 1997 offering,
had topped album of the year charts everywhere and filled the
airwaves with a fresh sound that had both audiences and critics
singing praise. The critical build up of OK Computer is very important
to note. This is because the media critics as a whole had pushed
themselves into a position in which they might look foolish if
Radiohead produced anything other than a masterpiece for their
next album. While in many instances it would be a hasty move to
group critics into a whole unit, it would not be in this case.
While there surely were negative critics of OK Computer, they
were few and far between and were viewed as the ones who were
just not perceptive enough to get it. The stars had aligned for
Radiohead, so to speak. Rollingstone, Spin, and Q Magazine were
amongst the heavy backers. Q Magazine went as far as naming OK
Computer the best album of all-time.
Rolling
Stone Magazine's David Fricke stated, "Radiohead's third
album is one of the best rock records of the year in large part
because it is the most inscrutable", but if Radiohead was
inscrutable on their third album, they would be downright and
aimlessly obscure on their next (Fricke). Indeed, Kid A came into
the picture more off kilter than a Curt Schilling curve ball and
many were not sure what to make of it. Song structures were not
standard if even apparent at all, melodies were extremely complex
and hard to digest, and there was an overabundance of seemingly
arbitrary noise. Was Radiohead in a naked disguise waiting for
critics to balk and shout that they were indeed wearing no clothes
(in reference to Sloop's use of Hans Christian Andersen's story),
or was this the masterpiece that critics had waited for and would
be foolish and naïve to overlook? Critics scrambled for what
to make of it.
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