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Ong
and the Orality of American Song (page2)
When
the train, it left the station, with two lights on behind When the train, it
left the station, with two lights on behind Well, the blue light was my blues,
and the red light was my mind All my love's in vain Oral
patterning has been a continuing tradition of the blues. B.B. King's "Thrill
is Gone" repeats the phrase "thrill is gone" six times, twice at
the beginning of each verse (King). The practice of oral patterning has even seeped
into other forms of American song such as bluegrass, pop, and even techno music.
There is an entire song that contains few words other than, "I'm blue if
I were green I would die", and said phrase repeats countless times throughout
the song. (ii) Aggregative rather than
analytic Ong claims that one function of orality is to stimulate memory (38).
For this reason, he states, "Oral expression thus carries a load of epithets
and other formulary baggage which high literacy rejects as cumbersome and tiresomely
redundant because of its aggregative weight" (38). This function capitalizes
upon the commonality of human experience, the fact that we all know someone who
fits a certain description. Just as Ong says that orality has engrained the "brave
soldier", the "beautiful princess", and the "sturdy oak",
songs have in the same fashion as oral tradition engrained similar images (38).
Songs like Hank Williams' "I'm so Lonesome I could Cry" and Ralph Stanley's
"Man of Constant Sorrow" have helped develop the idea of the lonesome
drifter, while similarly, Willie Nelson's "Red Headed Stranger" and
Madonna's "Beautiful Stranger" romanticize the image of an enigmatic
stranger. (iii) Redundant or 'copious' Redundancy
has an important function in Ong's definition of oral culture and also has had
profound influence on American song form. Ong says, "Redundancy, repetition
of the just-said, keeps both speaker and hearer surely on the track" and
there exists no better example of this in song form than the concept of the chorus
(38). A chorus, or refrain, is simply the part of a song that repeats and typically
contains the hook of the song. While the concept of a chorus is by no means an
invention of American song form, American popular music would not be the same
without it. Pop music for more than the past fifty years has relied on the verse-chorus
form of delivery. Every year countless songs top Billboard's Hot 100 Singles chart
by way of a strong catchy chorus. Continue
to page 3 of Ong and the Orality of American Song, 4,
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